Emily Grove at the State theater

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Bio

Emily pays homage to Tom Jones with her soulful rendition of this Jones’ classic, It’s Not Unusual. Seen here performing during one of The State Theater’s Studio Sessions.

Emily Grove is a singer-songwriter and musician from Wall, New Jersey. Her sound has been described as alternative folk. Emily Grove is active in the Asbury Park music scene in Monmouth County, New Jersey. Emily was the recipient of the 2011 and 2012 Asbury Music Awards for Best Female Acoustic Act, and 2011 and 2012 Jersey Acoustic Music Awards for Top Female Vocalist and Top Female Songwriter. She has played with and opened for Glen Burtnik, Willie Nile, Ari Hest, Rhett Miller (Old 97s), Marshall Crenshaw, Dan Reed Network, and John Lefler (Dashboard Confessional). Grove has toured the UK and US opening for and playing with David Ford. Grove also performs in venues ranging from well known New Jersey music venues such as The Saint and the Stone Pony through music venues in New York City and Boston.

Grove’s style has been described as blending the 1970s sounds of Carole King with the “orchestrated texture of The Band” and John Prine. Her songs have been described as including elements of country and rock and roll blended with poetry. Regarding musical influences, Grove says that her parents listened to Johnny Cash, watched the country music stations, and listened to Americana music. Her mother loved Paul Simon, and she was named Emily named after the song “For Emily Whenever I May Find Her.” Her father enjoyed the Rolling Stones and The Beatles. She was born on Jerry Garcia’s birthday, which brought attention to the music of the Grateful Dead.

Discography

Her album, “Way Across the Sea” was produced by Jack Daley (Lenny Kravitz). The title track, “Way Across The Sea,” describes her crush on an unnamed rock and roll star. “Falling” is described as reminiscent of the styles of Carly Simon and Carole King. “Today” was inspired by a particularly long Sopranos marathon. “Flea,” the first song Grove ever wrote, is a folk song based on a poem by John Donne, and is consistent with the style of artists like Jane Wiedlin and Alanis Morissette. The album ends with, “Procrastination,” done in the style of Natalie Merchant.

Her second album, released in 2014, “Life of a Commoner”, was produced by Jason Rubal of Seventh Wave Studio (Amanda Palmer). Her vocals on “Spider” have been compared to the vocals of both Annie Haslam and Dolores O’Riordan. “Scream” combines a Nicole Atkins sound with R.E.M. energy. “The Call” tells a Janis Ian-like story. “Johnny Lee” is done in the style of a Celtic love song.

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Duo Deca for Life’s celebrations

The versatility of this duo is impressive. Their music ranges from the very traditional sound of Classical Music(performed on an electric violin and an electric harp) to today’s pop classics. They are the perfect addition to your cocktail party and will add that special touch of elegance to engagement parties, bridal showers, christenings or your other special celebrations.

Emily on Electric Violin

About Emily, Violinist:

Emily is an active freelancer in New York, having performed and/or recorded with many renowned artists, including The Who, Louis Tomlinson (One Direction), Chairlift, Lady Lamb, Yungblud, and Snakehips. She has toured the US with hip-hop legend Kurtis Blow, and was the featured soloist in the touring production INDIA (by Franco Dragone of Cirque du Soleil).

Emily was recently featured as a vocalist on Lorenzo Wolff’s Down Where the Valleys are Low: Another Otherworld for Judee Sill, where her performance of The Kiss was described as “ resemb(ling) an angel ascending into heaven” by KST 89.9.

Under the moniker Emily Simone, Emily maintains a busy schedule performing on electric violin for high-end and nightlife events, improvising with DJ’s over bumping dance music and creating more subtle ambient, immersive soundscapes.

Since 2013, Emily has worked extensively with Kansas City-based interdisciplinary performance company Quixotic, creating and performing original material for events and concerts around the world.

To reserve this group of talented musicians, contact us at:

Email: ecmusicnj@gmail.com

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atomic Pearl

Party Band Extraordinaire!

ATOMIC PEARL, party band for the New York Tri-State Area

Atomic Pearl is one of the most elite party bands in the Tri-State area. They fully understand how important music and entertainment is for your wedding, private party, or special function.

With top notch talented musicians Atomic Pearl will help to create your dream event! Atomic Pearl has a unique blend of talent, showmanship and adaptability.

Each event has its own feel and energy. They will customize song preferences, timelines and attire to suit your event.

To reserve this group of talented musicians, contact us at:

Email: ecmusicnj@gmail.com

or Call: (908)464-0038, (908)451-1955

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Meet The Magnolia Bluegrass Band!

The Magnolia Bluegrass Band performing “The Weight” at the Upper Montclair Country Club in Clifton, New Jersey.

On a warm Summer night, after a golf tournament, club members were entertained by this band. The gig was almost over, the sun had gone down and we had been taking videos of the band for our YouTube Channel. The band asked if anyone had a request and someone yelled out, “how about The Weight!” They weren’t so sure if they wanted to play the song since it wasn’t part of their regular repertoire, but the crowd urged them and the result is this beautiful rendition of a well loved classic.
Enjoy the music and take a listen.

“The Weight” is a song by the Canadian-American group the Band that was released as a single in 1968 and on the group’s debut album Music from Big Pink. It was their first release under this name, after their previous releases as Canadian Squires and Levon and the Hawks. Written by Band member Robbie Robertson. The song is about a visitor’s experiences in a town mentioned in the lyric’s first line as Nazareth.

“The Weight” has significantly influenced American popular music,
having been listed as No. 41 on Rolling Stone’s 500 Greatest Songs of All Time published in 2004. Pitchfork Media named it the 13th best song of the Sixties, and the Rock and Roll Hall of Fame named it one of the 500 Songs that Shaped Rock and Roll. PBS, which broadcast performances of the song in Ramble at the Ryman (2011), Austin City Limits (2012), and Quick Hits (2012), describes it as “a masterpiece of Biblical allusions, enigmatic lines and iconic characters” and notes its enduring popularity as “an essential part of the American songbook.”

“The Weight” is one of the Band’s best known songs, gaining considerable album-oriented rock airplay even though it was not a significant hit single for the group in the US, peaking at only No. 63. After it was released, the record debuted just six days later on KHJ’s “‘Boss 30’ records” and peaked at No. 3 there three weeks later.

The Band’s recording also fared well in Canada and the UK – in those countries, the single was a top 40 hit, peaking at No. 35 in Canada and No. 21 in the UK in 1968.

Cash Box called it a “powerhouse performance.” American Songwriter and Stereogum both ranked the song number three on their lists of the Band’s greatest songs.

In 1968 and 1969, three cover versions with arrangements that appealed to a diversity of music audiences.

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They said what about Beethoven?!!

We find it interesting that a musical genius such as Beethoven was frustrated by the way music critics reacted to his timeless music. That’s what the quote in the above meme relays.

Here is the quote:

“A true artist is expected to be all that is noble-minded, and this is not altogether a mistake, on the other hand, however, in what a mean way are critics allowed to pounce upon us.”

One really gets a sense of his frustration from the above quote.  Additionally, we would love to know just what type of criticism was given to him by his critics, so we did a little digging.

This is what a Bostonian had to say about the Ninth Symphony. Thankfully Beethoven never read this particular one since he had been dead for approximately 72 years.

“We heard lately in Boston the Ninth Symphony of Beethoven. The performance was technically most admirable… But is not worship paid this Symphony mere fetishism? Is not the famous Scherzo insufferably long-winded? The Finale… is to me for the most part dull and ugly… I admit the grander of the passage ‘und der Cherub steht vor Gott’ and the effect of ‘Seid umschlungen Millionen!’ But oh, the pages of stupid and hopelessly vulgar music! The unspeakable cheapness of the chief tune, ‘Freude, Freude!’  
          (Philip Hale, Musical Record, Boston, June 1, 1899)

The finale that Mr. Hale calls “dull and ugly” happens to be Ode to Joy.

In the rare event that you are unfamiliar with his Ninth Symphony, here is a video of it.

https://youtu.be/HljSXSm6v9M

We should mention that Ludwig began to lose his hearing at the age of 26. He began composing his Ninth Symphony in the Spring of 1823 and had it completed in January of 1824, in his mid fifties, only a few years before his death in March of 1827. This was the last symphony that he composed.

Here is what one critic had to say about Beethoven’s Second Symphony:

“Beethoven’s Second Symphony is a crass monster, a hideously writhing wounded dragon, that refuses to expire, and though bleeding in the Finale, furiously beats about with its tail erect.” 
          (Zeitung fur die Elegente Welt, Vienna, May 1804)

You might want to make up your own mind on the quality of Beethoven’s composition of the Second Symphony by hearing it here:

https://youtu.be/bEiYmeeV6sI.

In our time we think of Beethoven as a genius composer and we can’t really find any flaws in his music, but evidently it wasn’t so in the 18th and 19th centuries, his music straddled both centuries.  Ludwig van Beethoven was born on December of 1770 and died on March 26, 1827.

One can’t help but wonder and imagine the works he might have created if he hadn’t experienced partial hearing loss. He didn’t lose all hearing, but any loss of hearing is tragic to a musician. However, keep in mind that he composed the Ninth Symphony, his final symphony, at the end of his career, only a few years before his death. We also wonder if today’s medical knowledge might have helped him.

When he died letters were found concerning his suicidal feelings, the letters were obviously never sent. These letters alluded to his desperation over the loss of his hearing which he felt began after a quarrel with a singer in 1798. That must have been some quarrel for him to feel that it was the cause of his hearing loss.

The Sounds of the Islands

Devon & Athenia = D N A

DNA is an entertainment duo. They combine live performance with DJ and MC services to complete your special occasion, leaving it one to be raved about by your guests, long afterwards.

Devon and Athenia, ( DNA ), operating as a duo, first emerged on the scene in 2009, making their premier performance at the then Ross’ Dockside in Sea Bright New Jersey. Since then DNA has performed at various other bars and clubs on the Jersey Shore including, the legendary Parker House in Sea Girt, Bar A – Belmar, The Mad Hatter, The Beach Bar, and have partaken in a variety of charity events including the 5th Annual Bene-fest – Sea Bright, A Day for Kelly, Red Bank and Artspiration Festival in Philadelphia. The Duo is also on the roster for performances with a New York City based non-profit organization that provide music for special events in the 5 Boroughs.

The two talents are involved in creating a sound which incorporates a merge of cultures, that of the Caribbean and Urban North America. Their performance includes a blend of original and cover music in the genres of pop, r&b and reggae. DNA, as a team, focuses on merging the best of the Caribbean and American pop culture.

Athenia Henderson was born in the Caribbean but raised to the influence of North American music. She writes and composes her songs including “A Song In My Head” 2008, “Always” and “Come Over” 2009. Athenia has performed as lead singer for various cover bands and has shared the stage with singing sensation and winner of several international awards – The Mighty Sparrow. Her Career started as singer and back up vocalist for world renowned Swinging Stars band, and has since evolved to Athenia being one of the founding and current members of DNA. Voice of an Angel’ and ‘Extremely Entertaining’ are some of the phrases used to describe Athenia … (Parker House, Ocean Place Resort and Spa, Taste- Red Bank).

Devon Atherley, from the twin Caribbean Islands of Trinidad and Tobago, has earned the name Steel-Pan Maestro. Not only is he proficient in playing the exotic, chromatically tuned and pitch percussion instrument, but he is also master in delivering the sounds in a manner that entertains. His career as a pannist began in 1993 with Kalomo Kings Steel Orchestra, a group still prominent in the pan scene. In addition to his ability on the pan, Steel-pan Maestro is a skilled keyboardist. He arranges the live music sounds of several local bands, mostly of Caribbean backgrounds.

To reserve DNA for your next event contact us at:
Email: ecmusicnj@gmail.com

or

Call: (908)464-0038, (908)451-1955

CARIBBEAN NIGHT FUN

CARIBBEAN NIGHT AT EDGEWOOD COUNTRY CLUB

It was a glorious evening at the Edgewood Country Club in River Vale, New Jersey. The food included traditional Island fare from all parts of the Caribbean Sea, representing a variety of delicious flavors. Empanadas, mofongo, jerk chicken, tender pork, and so much more.

The setting was poolside and everyone wore colorful attire consistent with the theme of the event. Our personal favorite was the music, which was provided by us, Entertainment Consultants. Our steel drum duo, DNA, created the ambiance of the islands with their Reggae beats and Athenia’s beautiful voice.

We can safely say that a great time was had by all.

National Flag Day

June 14 is Flag Day.

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In the United States, Flag Day is celebrated on June 14. It commemorates the adoption of the Stars and Stripes on June 14, 1777, by resolution  of the Second Continental Congress. 

The Flag Resolution, passed on June 14, 1777, stated: “Resolved, That the flag of the thirteen United States be thirteen stripes, alternate red and white; that the union be thirteen stars, white in a blue field, representing a new constellation.”

Our Flag has been officially modified 26 times.

HOW TO OBSERVE #NationalFlagDay

Many people have died protecting our country. On National Flag Day, raise the flag and fly it proudly. Spend time learning more about U.S. flag history, too.

Use #NationalFlagDay to post on social media.

Unstoppable during the Pandemic

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  Photo by David Bartus on Pexels.com

Well, we would be lying if we said that the pandemic hasn’t hit the entertainment business hard. Musicians have been out of work for over a year. However that hasn’t stopped the creative juices from flowing. Some have chosen to perform live concerts over Facebook or YouTube and still others have created podcasts. These platforms have enabled many musicians to eke out a modest income to help support their loved ones, as well of exposing them to new audiences. The very nature of choosing to be a musician means that you need an outlet for your creativity. We can confidently say that musicians have been working on their craft.

We chose to put the extra time to work for us and create new music. This is something that we had been meaning to do for quite a while, but the business of entertaining others had kept our creativity at bay. The pandemic has enabled us to find the much needed time to record and rearrange songs that we had previously written. We have been busy in the studio making new music. CD to follow. Some of the songs were written in the 1980s and are being remastered, while others are brand new. Stay tuned for the excitement. We are busy tweaking and making sure that every note comes out to perfection.

We still hope that the pandemic meets its demise real soon, that way we can return to the normalcy of performing our music for others, going to concerts and dancing the night away at parties. We are beginning to book parties for future dates. These parties include weddings, birthday celebrations, anniversaries and even some graduations. Right now it looks like we will have a Christmas Season that will be much closer to normal than what we witnessed during November and December of 2020.

We will keep you posted as soon as the new CD comes out. In the meantime…keep the music alive, we are!

Music in the Times of Covid-19

Gochild, performed by Virtual Jazz Trio of Rick Crane on bass, Vinnie Cutro on trumpet, and Joe Verrusio on guitar.

The musicians recorded this video in their own homes, during the time of the Corona Virus Pandemic.

The song Godchild was composed by George Wallington.

The following information is from the site Wikipedia:

His best-known compositions are “Lemon Drop” (which gained attention when played by Woody Herman in the late 1940s), and “Godchild” (one of the pieces played for The Birth of the Cool recordings led by Miles Davis). Birth of the Cool is a compilation album by American jazz musician Miles Davis, released in February or March 1957 on Capitol Records. It compiles eleven tracks recorded by Davis’s nonet for the label over the course of three sessions during 1949 and 1950. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title suggests, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long.

Wallington was born Giacinto Figlia in Sicily, and then moved to the United States (New York) with his family in 1925. His father sang opera and introduced his son to classical music, but Wallington listened to jazz after hearing the music of saxophonist Lester Young.

He said that he acquired the name Wallington in high school: “I like to wear flashy clothes and the kids in the neighborhood would say, ‘Hey, look at Wallington!'” He left school at the age of 15 to play piano in New York.

In 1960 Wallington stopped playing music and moved to Florida to work in the family air conditioning business, citing the stress of endless touring. He returned to music in 1984 and recorded three albums, Virtuoso in 1984, Symphony of a Jazz Piano in 1986 and Pleasure of a Jazz Inspiration in 1992. He also performed at the 1985 Kool Jazz Festival in New York